Brad King

I lived in Cincinnati. Then I moved to Austin. Then Berkeley for grad school. I stayed for Wired and Wired News. Then I left for Austin to finish our book. Next to Boston and MIT. Now, I'm back home in Kentucky.

Greetings Programs:

Before you scatter off into the Ether, I wanted to let you know that next week we’ll begin developing your thoughts on story ideas. The sooner you start, the happier you’ll be. (And Sept. 13 is the first deadline for Ball Bearings.)

Don’t do any heavy lifting over break (he says, as if heavy lifting would happen), but jot down notes and thoughts. Questions you have. Topics that interest you.

On Tuesday, we’ll start the Salon process, where we begin to work through those thoughts and mold them into idea.

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I posted this on Twitter (#bsuImag), but in case you missed it. The best magazine stories are those that take on some common assumption or thought because the best writers – like lawyers – ask: prove it?

Remember the gorilla? What we see isn’t often what happened. These are two interesting examples of that. Hopefully you’ll find this instructive as you begin to think about your story ideas.

A good example of a magazine story idea: “First Person: In Defense of ‘Jump the Shark’ Happy Days episode” by Fred Fox, Jr in the Los Angeles Times.

This is a newspapers story. It would look different as a magazine piece. But the idea: pretty awesome (in my humble opinion).

Then there is this: “Sarah Palin: The Sound and the Fury,” by Michael Joseph Gross in Vanity Fair.

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Greetings Programs:

Just to recap:

  • add me to your Google Doc
  • add your three themes (and main theme), the 10 words + your main character/character to the Google Doc
  • add 5 influences + links to descriptors of those; the idea is to allow each other the chance to see how the creative process works for individuals within the group

Greetings Programs:

The lecture notes are now up in the Lecture section of the site. Please peruse them before class.

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Greetings Programs:

Tomorrow’s lecture notes are up. I’ll be adding to them throughout the evening; however, you will get a sense of what we will be discussing and some of the emerging technologies we’ll discuss.

Remember: Thursday is writing workshop day so each group will work through ideas. By the end of class, you’ll have the framework for your story. You’ll have one week to draft a script. (You’ll have more time to edit and revise that script, but we must start somewhere.)

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Greetings Programs:

Please take a few minutes to fill out this survey. We are trying to find a name for the new Unified Student Media consortium on the campus. Your feedback would be welcome.

Click here.

Hello Students:

Apparently the link for this film is broken in the syllabus. So…give this a try:
The Hero’s Journey in Film

Ciaran | MySpace Video

Greetings Programs:

The lecture notes for tomorrow’s class are up.

Digital Storytelling folks, I’m experimenting with some new Mind Mapping presentation software stuff. We’ll see how that all plays out.

Magazine folks. You’re stuck with my regular presentations.

This is not for research purposes. It’s just for “because” purposes.

Greetings Programs:

I’ve assembled your critique groups for this semester. I’m trying something a bit different this time so we’ll see how it goes.

Please make a note of these groups:

Group 1

  • Randi Alles
  • Shawn Fink
  • Dan Stegemiller

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Greetings Programs:

Please make a note of the iLab hours. I will not keep these so if you ask, I will likely shrug and walk away.

Sunday 8 p.m. to 11:45 p.m.
Monday 10 a.m. – 9 p.m.
Tuesday 11 a.m. – 9 p.m.
Wednesday 10 a.m. – 9 p.m.
Thursday 11 a.m. – 9 p.m.
Friday 9 a.m.  – 12:45 p.m.

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